DEPARTMENTAL RESEARCH SEMINAR: WEDNESDAY 16 March

‘The Modernist Making of an International Rhythmic “Race”: Katherine Dreier’s Lithographs and Ted Shawn’s Dreier Lithograph Dance.’

Professor Robin Veder
(Penn State Harrisburg)

Wednesday 16 March
4:10 pm
Barber Institute Lecture Theatre

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‘In the 1920s and 1930s, artist Katherine Dreier and dancer Ted Shawn believed they could make a new “race” by rhythmically stimulating viewers’ neuromuscular systems. Veder locates their joint contribution to American modernism within the overlapping discourses of physiological psychology, neurasthenia, and theosophy.’

Biographical Statement:

Robin Veder is Associate Professor of Humanities and Art History/Visual Culture at Penn State Harrisburg. She received her doctorate in American Studies from the College of William and Mary, and she has held post-doctoral fellowships at the Smithsonian American Art Museum, the Georgia O’Keeffe Museum Research Center for American Modernism, Harvard’s Garden and Landscape Studies Program at Dumbarton Oaks, and in spring 2016, the Institute for Advanced Study at Durham University. She is author of several articles on transatlantic art history, visual culture, history of the body, and landscape studies of the long nineteenth century, appearing in Journal of the Society of Architectural Historians, American Art, Visual Resources, Journal of Victorian Culture, Modernism/Modernity, and International Journal of the History of Sport. Veder’s book, The Living Line: Modern Art and the Economy of Energy, was published by the Dartmouth College Press/University Press of New England’s Visual Culture Series in 2015.

All welcome; refreshments served
Enquiries to Sara Tarter: SET497@student.bham.ac.uk

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