‘Francis Newton Souza, Suffering and Masculinity’
Dr Gregory Salter (University of Birmingham)
Wednesday 12 October
Barber Institute Lecture Theatre
Francis Newton Souza’s paintings of the late 1950s include warped, disturbing translations of religious imagery – a crucifixion, bodies pierced by St Sebastian’s arrows, and gloomy ecclesiastical still life paintings – as well as tense self-portraits and distorted, pained representations of non-white bodies. This paper focuses on the male body within these works – a recurring subject for Souza – and traces a theme that appears to be folded into his representations of masculinity: suffering. Souza was born into an English-speaking Catholic family in the Portuguese colony of Goa, raised and educated in India, and left for Britain just after the partition. This paper places Souza’s works – and their focus on suffering and masculinity – in this historical moment of decolonisation and migration.
Greg Salter is a lecturer in history of art at the University of Birmingham. He is currently researching British art, exhibitions, and migration since 1945 and is completing a book on reconstruction, home, and male identity in postwar Britain. He completed a postdoctoral role at the Geffrye Museum of the Home in London in 2015.
All welcome; refreshments served
Enquiries to Sara Tarter: SET497@student.bham.ac.uk