‘Francis Newton Souza, Suffering and Masculinity’

Dr Gregory Salter (University of Birmingham)

Wednesday 12 October
Barber Institute Lecture Theatre

Crucifixion 1959 by F.N. Souza 1924-2002
Crucifixion 1959 F.N. Souza 1924-2002 Purchased 1993


Francis Newton Souza’s paintings of the late 1950s include warped, disturbing translations of religious imagery – a crucifixion, bodies pierced by St Sebastian’s arrows, and gloomy ecclesiastical still life paintings – as well as tense self-portraits and distorted, pained representations of non-white bodies. This paper focuses on the male body within these works – a recurring subject for Souza – and traces a theme that appears to be folded into his representations of masculinity: suffering. Souza was born into an English-speaking Catholic family in the Portuguese colony of Goa, raised and educated in India, and left for Britain just after the partition. This paper places Souza’s works – and their focus on suffering and masculinity – in this historical moment of decolonisation and migration.

Biographical Statement:
Greg Salter is a lecturer in history of art at the University of Birmingham. He is currently researching British art, exhibitions, and migration since 1945 and is completing a book on reconstruction, home, and male identity in postwar Britain. He completed a postdoctoral role at the Geffrye Museum of the Home in London in 2015.

All welcome; refreshments served
Enquiries to Sara Tarter:

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