Over the course of my second year I became very conscious of the fact that I wanted to gain more experience in the art world and at art institutions. I heard about the Bold Tendencies Art Trainee Internship through the History of Art department around February when I had already done lots of thorough research on the opportunities available to me. So, the first piece of advice I can give is that there is always more out there than what you have already found, so don’t be disheartened if you have yet to find work experience or internships!
Although there were some immediate challenges surrounding the opportunity – namely that it was unpaid and in London – I still put in my application in the hopes that I would be accepted. In the meantime, I began to research the University’s bursaries and funding and work on my application. I found out about the Internship Bursaries that the Careers Network provide, and went to a workshop and presentation about them which I would also really recommend as they give you tips on your application. It was a long process that included an application, a presentation and an interview, but it was absolutely worth it. You can even put in an application before you have a secured place at your internship. There are so many resources in the Careers Network that are of use to students – you just have to go looking for them. Their bursaries for unpaid or low-paid internships are a fantastic opportunity to go and do for experiences you wouldn’t have previously thought you would be able to do.I was able to do this internship because of the help I was given from the University.
The organisation I interned at, Bold Tendencies, is based in a multi-storey car park in Peckham in South East London. As a not-for-profit arts organisation they provide many different things for the local community. On the rooftop there are sculptural installations across the two floors. They also have a wide and varied events programme which includes the resident orchestra Multi-Story, and education initiatives working with local schools and families. Every year they commission new artworks for the site, some of which become permanent installations. This year their most popular commission was an installation by a contemporary artist called Simon Whybray: he transformed the entrance foyer and stairwells of the car park by painting them bright pink. There are other installations on site by contemporary artists such as Richard Wentworth and Adel Abdessemed.
There is something quite different about volunteering a day a week (or less) to an institution to having the opportunity to work three or more days a week, over an extended period of time with the same team, getting to know everyone at an institution. While I had learned a lot from volunteering at other galleries on an ad-hoc basis, this was an entirely new experience. I got to know everyone far quicker; people remembered who I was (especially when I went the extra mile!), and I got a far better sense of how a gallery is run on a daily basis.
Internships and volunteer work usually entail the work that others don’t have time to do, or perhaps the more menial tasks. But this is what you are there for: to be helpful. In return you may get to help with more complicated ventures or plans but you have to prove yourself first. I had to do a variety of things during my time at Bold Tendencies, some more exciting than others. I worked on the front desk, greeting visitors and talking to them about the artworks and the events programme; I would help set up the site and the installations; I completed administrative tasks like maintaing the mailing list and invoices; I worked on a film set; during events I would be ticketing and on the box office; and throughout the internship I contributed to the Gallery’s blog, Instagram and twitter.
One of the best parts of working for five weeks for Bold Tendencies was all the different people I got to meet, and the lectures that they organised for us. I got to meet professionals in different roles in the industry and get a better insight into all the different roles that exist in the industry. I was given advice and inspiration by all the different people I met and it was definitely one of the highlights because it gives you hope for your own future career goals.
Because I had expressed an interest in education in galleries, I was asked by the director of gallery to stay on a bit longer and help with a project with the Head of Education. The gallery was having an event at the end of the season to announce their new charity status and to present their past education initiatives. These initiatives, the new charity status and their future ambitions, were all published in a ‘Prospectus’ and I was given the role of ‘Prospectus Coordinator’. Through this I got more hands on experience with coordinating a project and learnt a lot. To me this proves that any experience is what you put into it: I worked hard during my time there and ended up being given more responsibilities as a result.
The Bold Tendencies Art Trainee Programme is an amazing opportunity to immerse yourself in a contemporary art organisation, network with people in the industry, and learn and experience new things. If this is something you’re highly passionate about, I could not recommend it more. My experience this summer was fantastic and I made life-long friends in the other interns!